Artistic Freedom: A Manifesto

It has long been the goal of the artist, regardless of the chosen form, to make a full-time living as an artist. Authors want to write; painters want to paint; musicians want to sing…and none of them want to do anything else.

When they begin, artists have a love of their art that rivals the deepest of romances, but as they confront the realities of selling their work –– of needing to impress an audience –– they begin to sacrifice their true artistic sensibilities in favor of what consumers will purchase. This is as terrible for the artist as it is for their art.

While there is something to be said for maintaining ownership of a creation, in case anyone else wants to use it for their work and thus compensate the original creator for their contribution, the original artist should not be concerned with selling that original work to the marketplace –– not if they want to express their true self in the process. It is my belief that self-expression takes a back seat to consumer interest when the goal is remuneration.

So what is an aspiring artist to do?

In older times, an artist would gain the interest of a wealthy patron to fund their work in exchange for the artist doing something of benefit for the patron –– build a cathedral, paint a mural, name a newly discovered moon after the patron’s children, etc. While lucrative for many artists, such relationships were also toxic, as the patron could make demands on the artist and their work.

That said, I still believe that the patron method is the strongest way for an artist to make a living while practicing their art. There is a compromise made between the desires of the artist and their patron, but with the right patron the artist has the freedom to express themselves fully –– some patrons just want to be “patrons of the arts” –– and modern technology provides a vehicle that can find numerous such patrons.

Crowdfunding business models allow for consumers of art and story to fund the projects they believe in and become patrons of artists and storytellers they admire en masse. On the surface, this looks like it establishes another patron-artist relationship, but I maintain that it doesn’t.

In ancient times, if an artist or their work offended their patron enough to sever the relationship, the artist was left without funding. Crowdfunding, however, creates an environment that favors the artist: they have multiple patrons, sometimes numbering in the thousands. If a work or an artist offends a patron, there are others to shore up the loss. Even if a large number of patrons leave, there are always going to be those who still admire the artist, if for no other reason than their courage to truthfully express themselves.

Previously, even if the masses enjoyed the work of an artist, without a rich patron the artist could not produce their works any longer. But with the low cost of becoming a patron of modern artists (sometimes as low as a dollar), the masses can easily support an artist they admire.

I so fervently believe in this concept that I will no longer charge for my creative works. I will open up a vehicle for those who are interested in my work to help me pay my bills so that I can have more time to create, but my work will no longer be for sale, which means it will no longer be controlled by what I perceive others may think –– I’m often wrong about that anyway.

My art is now for the masses to enjoy. I will trust in the ever-improving quality of my work to maintain a minimum number of patrons, or average amount per patron, to support me while I provide the world with the truest stories and shared storytelling experiences that I can.

Regarding my previous work: Because of pre-existing crowdfunding campaigns, and my agreements to backers and collaborators alike, JadepunkShadowcraft, and Age of Anarchy will remain for sale on DriveThruRPG.com.

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The Best Jedi Master Ever?

Qui-Gon? What? He got pwned the first time he fought a Sith, which his apprentice famously cut in half. How could Qui-Gon be the best Jedi master ever? He was a terrible Jedi. I hear you, but here’s my reasoning, my explanation.

It’s quite simple really.

Qui-Gon is the only master who’s pupil didn’t turn out to be a huge failure.

Yoda’s apprentice, Count Dooku, turned to the dark side and lead the Separatists against the Republic. Although Yoda partially made up for this in training Luke Skywalker, but he didn’t do that alone; Obi-Wan started Luke down the path.

But Obi-Wan’s actual apprentice, Anakin Skywalker, destroyed the Jedi Order! So Obi-Wan isn’t in the running for best master, though he does get the mantle of best Jedi (though Luke may be changing that in the recent movies, but both of them beat Anakin’s black-clad buttocks, so no points for Luke beating Vader).

And Luke Skywalker’s apprentice, “Emo” Ren, preferred his grandfather’s methods and slaughtered Luke’s new Jedi Order.

Just going off the movies (which I loathe to do because the EU –– I’m coming around to the term “Legends” –– is my favorite part of Star Wars), the only successful Jedi master we see is Qui-Gon Jinn, whose apprentice, Obi-Wan Kenobi, didn’t fall to the dark side, didn’t slaughter younglings, and didn’t disobey the Jedi Code. He was a real Jedi’s Jedi.

But Obi-Wan is no perfect master, because of the aforementioned failure of his apprentice (but then…he never wanted to train Anakin, and only did so because it was Qui-Gon’s last wish, so maybe Obi-Wan could have been the best master and the best Jedi).

That’s why Qui-Gon Jinn, who’s a terrible Jedi, is actually a great master. I guess those who can’t do teach.

What are your thoughts on the matter?

What is Your Jadepunk Tale?

I call a Jadepunk campaign a Jadepunk Tale. As anyone who roleplays can tell you, a campaign can be a single game session or a twenty-year adventure. Since Jadepunk has been out for awhile, I’d like to get a sense of how other people are playing the game.

What tales are you telling? Who are the archnemeses of your players? What’s your Jianghu society’s name?

Even if you aren’t running a game of Jadepunk currently, what would your Jadepunk game be about?

Leave your answer in the comments below (and link the community to any campaign materials you may have online). I’ll start with a description of my favorite Jadepunk Tale –– the one that I have yet to play but that started the idea of Jadepunk, and that I hope to write a novella about very soon.

“Good Enough”

I began reading Star Wars: Ahsoka last night. I’m 70 or so pages in and it’s great so far. And by “great” I mean that, if it keeps the quality up through the rest of the book, it will earn a place on my shelf next to my all-time favorite series: The Ranger’s Apprentice (John Flanagan). What struck me about Ahsoka wasn’t all of the Jedi awesomeness (there’s plenty of that, too), but the authenticity, especially in regards to how Ahsoka interprets the world around her.

One statement, in particular, stuck with me. While she was thinking about becoming a droid mechanic on this new planet, her thoughts were of how she wasn’t as good a mechanic as Anakin. No, she was “good enough” but not “prodigious.” And just being good enough, she found, was what most beings in the galaxy (outside of the Jedi) were at their professions. It took her some getting used to in every aspect of her life outside of The Jedi Order.

This concept, “good enough,” meshes quite well with my personal mandate to not let perfect become the enemy of great. She wasn’t doing that. In fact, she was open with her first customer about not knowing how to fix it, but trying to do her best. What a great lesson in humility. And even better, on the part of the customer, what a great lesson in not expecting other people to be perfect (I’m looking at you, person who yells at your barista to “get it right!”).

Every now and then, you read something in a book that speaks to your soul, that tells you it’s okay to not be okay. “Just do you and everything will work out,” this text seems to say to me. I dig that!

There are so many quality thoughts in this book. I’ve never read any of the author’s other works, but I’m keen to if this quality keeps up.

Again, major disclaimer, I have not finished the book (I haven’t even gotten to the inciting incident yet), but I’m (greatly) enjoying what I’ve read so far.

Want to read it with me?

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Second Letter From Kausao City

For those of you who aren’t caught up, I recently received a letter from Kausao City’s governor’s office describing how the Kausao City Post Office is being used to contact rebel sympathizers outside of the hegemony. After more than a week of searching for information regarding the seized letters mentioned in that correspondence, I received another letter.

Here it is:

 


Jianghu Sympathizer,

I’ll refrain from using names for mutual protection. In fact, it may be too dangerous to contact you at all. I hope our desperation has not compromised you.

Jonica…A contact in the Four Winds Trading Company has alerted us to a plot to kill the Kaiyumi crown princess during her first visit to Kausao City, and frame a prominent Jianghu society in the process. We already have a tough time convincing recruits that we’re a legitimate rebellion – we’re losing the propaganda war. If the princess, a known critic of the Council of Nine, were to fall, seemingly by our hand, the Jianghu may be too discredited to carry on.

One of our number – again, no names – has informed us that you have contacts within the Empire. It is our hope that you can impress upon them how dangerous it is to allow the FWTC to remain sovereign outside of the Empire. The treaty that created the Kausao City hegemony dictates the corporation can only be regulated by the Aerish government.

We have already sent word to the princess, and are praying to Ehal that it arrives before her retinue departs. If you can lean on your government and keep the FWTC too busy to become embroiled in such distant plots, you could save a lot of lives.

With gratitude,

The Swift Songbird Society


 

I’m not sure who they think I know, or how one voice could make a difference, but I’ll do my best. Though picket signs outside the Capitol might be too much.

Then again, I do know someone who applied for a government job last year, an assistant to some middle manager somewhere. I wonder if he got the job. I’ll check.

In the meantime, I’ll continue to post here and keep a record of my findings. And, again, here’s the original letter – for your files.

The Jianghu rebellion is the centerpiece of the Jadepunk roleplaying game.

Kindle Sense Crimes

In the first years of the 21st century…

So begins Equilibrium, the super cool movie that earned Christian Bale the role of Batman. I’m fairly sure that every reader of this blog has seen the film. (if not, what the hell are you waiting for? Don’t worry; there be no spoilers here.)

The big problem of Equilibrium centers around what the Grammaton Clerics call “sense crimes” – observing anything that causes you to feel emotion. It was determined that the ability to “feel” is what caused violence among humanity. Take away capacity to feel, establish world peace.

Are We Heading Toward an Equilibrium in the Real World?

While we have physical books, we maintain control of our knowledge – it’s hard to censor what’s on someone’s shelf. But what if we give into the digital age?

What if we allow digital books to become our norm? Wouldn’t that give an oppressive government the ability to change the books without our knowing? Is it possible that such a thing could eventually lead to suppression of all emotionally engaging content?

Could we be allowing a future where Kindle Clerics hunt us down for our “sense offenses?” (Only without the cool gun kata.)

I’m ready to enter the Amazon Monastery and study to become a Kindle Cleric, learning to use the Paperwhite Tablet Kata. Because when caught in a web, I’d rather be the hunter than the hunted.

What about you? Spider or fly?

Post intended as satire.

Letters From Kausao City

I just received a strange letter from The Governor’s Office in Kausao City. Did you get it yet? It’s sort of…well, I’ll let you read it for yourself.

I’ve attached the letter at the bottom of this post but transcribed it below for those of you who can’t read Túyangan:

 


From: Office of the Governor of Kausao City
To: The Peoples of the Great Nations

It has come to our attention that some employees of Kausao City’s mailing service have been colluding with terrorist cells that collectively call themselves The Jianghu. City Watch agents have found three letters that describe treasonous activities against The Council of Nine. Rest assured; those responsible will be brought to justice.

The Governor has launched a full investigation, but until all suspects are found, we ask that you show all letters delivered to you by the official mailing service to your local Kausao City ambassador’s office.

Failure to comply with the above mandate will result in your immediate arrest and extradition to Kausao City for crimes of collusion with known terrorist cells.

Thank you for your cooperation,
Catriona Naser
Assistant to The Governor of Kausao City


 

I’m going to try and get my hands on some of these “treasonous” letters and find out more (can they really extradite us for keeping them?). If I manage to find any, I’ll let you know – you might want to subscribe to the blog (at the bottom of this page) to make sure you don’t miss anything.

Here’s the letter, so you can see for yourself.

UPDATE: Another letter has arrived.

Kausao City is a fictional location in the world of Jadepunk.